ART STUDIO SECRETS
As artists we each gather a unique array of tips, techniques, and inspirations throughout our careers. Here are some of my “Art Studio Secrets” from my books and some new and expanded ones. I invite you to share some of your discoveries here, too. Post your feedback in the comments.

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Kleo Kats Prints Are Available for the First Time!

After receiving many inquiries, we have canvas prints, posters, metal prints, and more of all eight Kleo Kats available here, at Fine Arts America

Click on Audubon below and it will bring you to his page. From there you can find each of the other Kleo Kats. Please visit and let us know how it goes.

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Gallery Exhibit

See my latest works in the Hidden Treasures series. Showing
June 24
and extended through
 
December 1, 2014
at the
Judith Kaufman Gallery in the 
Historic El Portal Theatre
5269 Lankershim Blvd.
North Hollywood, California 

Learn More > 

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Non-Fiction
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151 Uncommon and Amazing Art Studio Secrets

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151 Effective and Extraordinary Art Studio Secrets

110 pages, black and white

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210 Imaginative Ideas for Painting

166 Pages

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Entries in multi-monotone (1)

Friday
Jan102014

Multi-monotones – Create Subtle Color Harmony with a Note of Excitement

Spanish artist Pablo Picasso painted "The Old Guitarist" in 1903 during his Blue Period. The monotone painting is mainly in shades of blue. Notice how he adds a slight greenish cast to the flesh, and uses a warm neutral accent for the guitar. Image courtesy of wikipaintings.org.A monotone (or monochromatic) painting is an artwork painted in a single color using a range of darks, lights, and half tones to show form. The values you use are more effective than color for showing the forms of things because values tell how surfaces catch light.

Old masters painted gray under-paintings, called grisaille, to establish form before adding color to their canvases. Today artists often use earth tones as a warmer alternative. 

For finished paintings a monotone color scheme provides built-in color harmony. However, monotones can lack vitality. Here's an approach I call multi-monotone because it uses color variations of a single dominant hue. For example, if your hue is green it would include yellow-greens and blue-greens. Blue would include greener blues and purple-blues. 

These color schemes are not fully analogous (colors next to each other on the color wheel) but move slightly in that direction. Subtle nuances of color become significant in a single-hued artwork. 

There are three ways to create a range of darks and lights with a single hue.

  • Use black or umber for darkening a color and white to lighten it. With this approach your colors may be boring. 
  • Use a chosen color as your darkest dark and add white for lighter values. Note that inherently lighter hues such as yellow will lack contrast. The result with any color may lack interest, as well.
  • For a richer approach use your color's complement to mix darks and neutrals and use white to make lighter values. This is a great approach for developing a multi-monotone piece.

Try this exploration: Divide a canvas in fours and paint the same subject in each section in a different dominant hue, using the complementary color for dark and white for lights. But alter your dominant hue with its adjacent colors. You'll see dramatic differences in the moods the colors impart in each section.

Beautiful color harmony is a balance between unified color and a note of excitement. 

I wish a healthy and happy new year to all!